Summer sewing plans

It’s August already and I still have some summer sewing to do. Luckily, it does stay warm in the Bay Area through September, and sometimes October. I’ve been going over my initial sewing plans for the year (see my Make Nine post) and going through my patterns and my fabric to see what I can make. I don’t have a huge stash but I don’t want to buy more fabric until I’ve sewn some of it up or destashed. Now I’m selling a few pieces of my fabric, which you can read about here.

Here’s what’s currently in progress.

Textile Studio Patterns - elastic-waist skirt

I used two fabrics to make Version B (lower right), a four-paneled skirt. The fabric on the right is a rayon remnant from Britex Fabrics. I didn’t have enough for the entires skirt but I did have this leftover solid violet rayon and I had just enough for one panel. So three panels use the print and one is violet.

It was my first time making an elastic-waist skirt. I still need to hem it. I’ve had it hanging in the closet to give the hem a chance to settle. Though the pattern says that because of the bias seams, the hem will hang “irregularly” and that is “unavoidable and part of the charm of the skirt.” The skirt panels are shaped like tall isoceles trapezoids. (Wow, never thought I’d use those two words in a sentence. Oh, grade-school geometry!)

Style Arc Imogen Skirt - CSews

I’ve cut the top part of the Imogen Knit Skirt by Style Arc – using this leftover striped knit fabric in my stash. I’ll use solid black for the rest of the skirt. I’ve been going through my stash looking for a big piece of black knit fabric. The pieces I’ve found so far aren’t long enough. This looks like a super easy skirt to put together. I got the patterns as a birthday present from one of my sisters earlier this year.

The Fabric Stash

I used to be a fabric impulse buyer. I’d see something I liked and buy it, particularly if it was on sale. I didn’t necessarily know what I would make but I’d buy a few yards and tell myself I’d use it for something. Or maybe I’d buy it with a particular pattern in mind but most of my impulse buys were just that, an impulse.

Now I ask myself, what would you make with this fabric? If I can’t answer that question, I don’t buy it, even if it’s on sale.

I’d like to make something summery from these fabrics in my stash.

Cotton fabrics - blue - CSews

The floral print and the plaid are both from Stonemountain & Daughter Fabrics in Berkeley. I have about 3 2/3 yards of the floral print, which is likely a cotton/silk blend, which I got for $3.50/yard earlier this year. I’m thinking tunic or flowing skirt. It’s very lightweight.

The plaid print was a 7/8 yard remnant, which I envisioned as part of a Deer & Doe Chardon skirt with a contrasting solid blue band. (I’ve made many Chardon skirts, including a maxi and a midi.)

The seersucker fabric is something I got more than a year ago at the Bay Area Sewists fabric swap. It’s nearly 2 yards. The print is really cute – maybe that’s why I haven’t sewn it yet. It’s got a travel theme. See the suitcase, hats and umbrella? Maybe I’ll make a tunic.

Seersucket print - travel theme - CSews

Meanwhile, I rediscovered this pretty red floral print in my stash. A sundress would be nice but I likely wouldn’t wear it very much. So I’m thinking separates – this 1960 Vogue reissue V9187 and another Chardon skirt. I have 5 yards of this fabric. I think it must have been a pre-cut piece I got several years ago from an Oakland drug store that’s no longer around.

V9187 Vogue reissued 1960 sewing pattern and Chardon skirt by Deer & Doe - CSews

Other patterns I want to make include this New Look 6838 pattern…

New Look 6939

…and Butterick 5893. I need more pants!

Butterick 5893 - pants sewing pattern

The Butterick pattern was on my Make Nine list.

What’s in your summer sewing queue?

div style=”display: none;”>Summer sewing - CSews

Outside pocket for a skirt

Last month I made an A-line linen skirt and attached an outside pocket to the waistband. I mentioned that I was going to show how I made the pocket. I wanted to add a pop of color to the skirt, which was a solid muted blue. I had this fun Echino print, which I got from Superbuzzy in Ventura at Craftcation last year (see my post).

Linen skirt with outside pocket detail - self-drafted A-line skirt -

I figured it out as I went along, starting out with a wide square. I knew I was going to add pleats to the pocket so that when I put something in it, there wouldn’t be an obvious bulge. I guess you could call it “pocket ease” – heheh.

I knew I wanted the back pocket piece to be longer than the Echino fabric because the back piece would attach to the waistband. I didn’t want to use my skirt fabric for the entire back pocket piece because linen isn’t that sturdy. So I decided to use a black poly/cotton blend and then sew a piece of the linen fabric just at the top of the back pocket piece.

I didn’t take photos of every step but I’ve written all the steps. Hopefully, it make sense.

Pocket Fabric - Echino fabric

I started out with a wide square – about 11 inches x 10 inches


Outside pocket tutorial - Pocket folded - Echino Fabric -

I made two pleats and pinned them in place.


Tutorial - fold pocket in half to use as pattern piece to cut back side of pocket -

Fold the front pleated pocket piece in half to use as a pattern for the back pocket piece but make it a couple of inches taller than the front piece. Cut the back pattern piece. I used a black cotton/poly fabric I got at a Bay Area Sewists fabric swap.


Tutorial - outside pocket - Echino fabric -
Finish the top edge. I used some pre-made bias tape in my stash.


Tutorial - Fashion fabric for top of pocket

For the “tab,” the piece that attaches to the waistband:

  • cut a piece of the skirt linen fabric
  • fuse a piece of interfacing to it (I used black interfacing)
  • finish one long horizontal edge
  • attach the linen fabric to the top of the back pocket piece by placing the skirt fabric right side facing the pocket back. Don’t sew all the way to the bottom.  Trim the seam. I pinked mine.


Tutorial - Top of outside pocket -

Turn the fabric inside out. Press the fabric. This will be attached to the waistband and the sides of the “tab” above the pocket need to be finished.

Place the front pocket piece, right side facing the back piece. This is why I didn’t sew all the way down the sides. I need a seam allowance to attach the front pocket piece. The front piece overlaps the linen fabric at the top. Sew the front and back together along the sides and bottom. Turn inside out.


Outside pocket lined up with waist

On this skirt, the waistband curves slightly. To ensure that the pocket is straight, place the pocket on top of the skirt and trim the excess at the top. See how the top right side is higher than the waist?

After I attached the pocket, I decided it was too long. So I trimmed an inch and sewed the bottom again.

Finished pocket -

And finally, the pocket was done!

If I were to make an outside pocket again, I think I would make it a little less complicated by using one fabric for the entire back piece. Then I would sew the front, turn it inside out and finish the raw edges of the “tab” (the part of the back that attaches to the waistband) by making a narrow hem. This would avoid the slight wrinkles just above the top corners of the front pattern piece.

I like an outside pocket because it doesn’t ruin the line of this A-line skirt.  An in-seam side pocket wouldn’t look very good. You could see anything you put in the pocket and it would weigh down the skirt.

Making an outside pocket for a skirt, attaching it to the waistband -


Denim fashion – ensembles v. separates

Hi, I like denim, especially dark denim. I’ve never worn an all denim outfit though – for example a denim jacket and jeans. That look just makes me think farmer, not fashion. But I added a “Casual Style for Women” board to my  C Sews Pinterest account earlier this year and I’ve pinned quite a few denim fashion looks. I mostly wear separates but I usually avoid separates that match – as in same color top and bottom – unless it’s black. I have plenty of black tops and pants. But I don’t have other colors in a solid that I wear together.

I like these pins. They either reminded me of denim or were made from denim. They make me want to wear an all-denim ensemble. Do you typically wear denim as separates? Would you ever wear an all-denim outfit?

Photo- Adam Lippes - pre-fall 2017 - denim fashion
Adam Lippes – pre-fall 2017 – a knit that looks like denim
Photo - Jasper Conran - spring/summer 2017 - denim fashion
Jasper Conran – spring/summer 2017 – love the top stitching on this dress
Photo - Tory Burch - pre-fall 2017 - denim fashion
Tory Burch – pre-fall 2017  – reminds me of denim
Photo - Vika Gaszinskaya – fall 2017 – looks like denim
Vika Gaszinskaya – fall 2017 – looks like a jumpsuit, doesn’t it?
Denim fashion - Ellery Resort 2017 collection - photo
Ellery Resort 2017 collection – lovely jacket and pants combo

I’ve been pinning denim fashion ideas because I have several yards of denim in my stash and I need to start sewing it. Some has been there for at least five years, maybe longer. And last year on a trip to New York, I bought some lightweight denim at Mood to make trouser jeans. Then last month, I found two yards of denim in my stash that I forgot about. It’s been sitting in a chest in a small room that has a lot of my husband’s vinyl records and books. I don’t go in there very often.

Here’s the Butterick sewing pattern (B5682) I got last year. I want to make version E, the trouser version.

Butterick B5682 jeans sewing pattern

I also had a knit fabric in my stash that looks like denim.

Photo - knit fabric - looks like denim

I had intended to use it to make a dress. But I never got around to making the dress. After seeing all the fun denim outfits, I decided to make a pair of knit pants and a top to go with them. But you’ll see that outfit soon – more on that outfit tomorrow. It’ll be my first all-denim look.

Denim fashion - Adam Lippes, Jasper Conran , Vika Gazinskaya

Self-drafted A-line skirt with an outside pocket

Hi, I wanted to make a quick skirt so I decided to use the pattern I created for a skirt lining. I made the lining pattern in 2011 for my A-line block skirt from the Japanese sewing book Basic Black (affiliate link here). The skirt has three main pieces – the front, back and the narrow waistband is made from a strip of bias tape that’s 1 5/8″ wide (about 4 cm). There’s an invisible zipper on the side. I’m wearing a knit cloche hat I got at a Barney’s outlet several years ago.

Linen skirt with outside pocket detail - self-drafted A-line skirt -

Because the skirt is quite plain, I added an outside pocket as a design detail. I used this fun Echino fabric I got last year when I attended Craftcation. Years ago I saw a pockets attached to the waistband on a paid of pants worn by a woman walking down the street. Of course, I stopped her and asked to look at the pockets. She told me she got the pants in Thailand. I never forgot those pants.

Linen skirt with external pocket -

Pockets at the side seams wouldn’t really work in an A-line skirt like this because as soon as you put something in the pocket, it would drag down the skirt or ruin the line of the skirt, especially in a drapey fabric like linen.

The side seam has moved forward a little bit in this photo but you can see that a pocket there likely wouldn’t look very good. I’m wearing the lace hat I made (blogged here), Vogue pattern V8891, a Patricia Underwood design.

Linen skirt with outside pocket

I just used the measurements in the book Basic Black, to make the waistband. I used the same fabric of the skirt to make the waistband. I made the mistake of using this stretch interfacing for the waistband. Fabric cut on the bias stretches so the waistband may get a little stretched out.

Bias waistband

Before I attached the waistband, I basted the pocket in place. (I’ll write a separate post about making the pocket.) Then I sewed the waistband in place, folded it in half and stitched in the ditch. Here’s a close-up of the waistband…

Narrow bias waistNarrow bias waistband - stitched in the ditch - CSews.comband - stitched in the ditch

… and the invisible zipper at the side seam. I wasn’t so great at keeping the waistband the same width all the way around. But I didn’t want to rip it out. No one’s really going to see the waistband anyway. (Excuse the dark photos.)

Invisible zipper installed in side seam

I finished the hem with premade bias tape using a straight stitch. I ran out of blue so I just attached red to finish it.

Bias tape hem finish -

And here are a few more views of the skirt.

Linen skirt with outside pocket detail - self-drafted A-line skirt - back view -

I think I like the lace hat with this skirt better than the cloche. What do you think?

Linen skirt with outside pocket detail - self-drafted A-line skirt -

The top is RTW from Ann Taylor several years ago.  My necklace was a birthday gift from one of my sisters.

Materials for A-line Skirt

  • 2 yards of linen from my stash (can’t recall what I paid for it)
  • 10″ x 11 ” piece of Echino fabric for the pocket (about $20/yard, I bought 1/2 yard)
  • bias tape in my stash to finish hem
  • Guttmacher thread
  • 70/10 Schmetz needle
Linen skirt with outside pocket detail in Echino fabric - self-drafted A-line skirt -

Sewing at the Google Garage with Bay Area Sewists

Hi, last weekend the Bay Area Sewists meetup group had a Sew Together meetup at the Google Garage – the volunteer-run maker space at the tech giant’s Mountain View location in Silicon Valley. I’m the organizer for the meetup group and Ali, one of our members who works at Google, graciously reserved the space, making it possible for us to meet there. Thank you, Ali!

Here are some of the photos I took from that visit, along with one photo taken by Marilyn, another Bay Area Sewists member, which I’ll identify.

This is some of the fun stuff on the wall just outside the Google Garage – car parts that have been painted in Google colors. You can sort of see that Google is spelled out. The first “G” is made from tires and the two O’s from hub caps.

Google Garage - sign outside the maker space

The Google Garage has high ceilings and has plenty of tables to work. Not surprisingly, there are many computer monitors and a few 3-D printers. We made use of all the tables.

Google Garage - Bay Area Sewists in Googles maker space

In addition to the tables with the wood tops, there were taller white tables – in the foreground of the photo below. These tables had stools for sitting.

Google Garage - maker space tables

In the back of the space is this area with a few sewing machines and sergers. There were also many other sewing machines in a locked cabinet. The Google artwork on this wall is actually a photo of tools spelling out Google.

Sewing machines and sergers at Google Garage maker space

Here’s a spray-painted sign inside the maker space. As you might be able to tell, it’s the hood of a car.

Google Garage sign in the maker space in Mountain View

I brought a couple of things to work on at the Google Garage – fitting the back of my Flint pants (they were a little baggy in the back) and cutting an A-line skirt from a pattern I drafted when I made the lining for this skirt. I shared this table with Shontai, who was cutting out a PDF pattern.

Google Garage - sewing project

We were also fortunate to have several giveaways from Fabrix in San Francisco, courtesy of Bay Area Sewists member Annetta who works at Fabrix. She brought many two-yard cuts for us, which you can see in the photo below. Here she is telling us about the store, which carries discounted designer fabrics. She says you’ll find a lot of stuff priced at $2.89 or $3.99 a yard – and there’s even a $0.99 table.

Annetta from Fabrix - showing the range of fabrics and trims available there

I have not been to this store yet, mostly because it’s a long trip via public transportation. Now I really want to check it out. At those prices, you could get quite a lot of fabric for $20.

Towards the end of our Google Garage meetup, we had a raffle and four winners got to have first pick of the fabrics, with the first winner choosing four fabrics, the next three, and then two and then one. Annetta also had various coupons for yardage and notions at Fabrics.

Ali won first pick. Here she is choosing her fabrics. After the winners made their picks, all the other fabrics were up for grabs. See the fabric with the circle design? I got that quilt-weight fabric. I think it could be a fun summer skirt.

Fabric from Fabrix in San Francisco

Here’s a close up of some of the fabrics.

Fabric from Fabrix in San Francisco

These are all trims and collars from Annetta’s collection, which she got at Fabrix. She brought them to show the range of trims there.

Trims from Fabrix in San Francisco

Here’s the photo Marilyn took of me introducing Annetta. I’m in the center of the photo in front of the wood wall. To the right of the wood wall is the entrance to the sewing area with machines and sergers.

Google Garage - sewing machines and sergers available for employees

And here’s the group photo. We had a great time at the Google Garage!

Sew Together at Google Garage in Mountain View

If you live in the Bay Area and would like to join the group, visit the meetup page here to see past and upcoming monthly meetups.  We have fabric and pattern swaps as well as fitting meetups. It’s free to join for the first 90 days. We typically meet in Berkeley, San Francisco, and occasionally in the South Bay.

Do you participate in any sewing meetups? What do you usually do at your meetups?

Bay Area Sewists - Sew Together meetup at the Google Garage in Mountain View

Mimosa Culottes by Named Clothing

Hi, I finally finished my Mimosa Culottes! According to my May blog post on PDF patterns, I bought this Named Clothing pattern about a year ago. Then I made my first muslin last fall. I got fitting help from Jennifer Serr at the Bay Area Sewists fitting meetup, which I blogged about here. This wide-leg design has two unique diagonal pleats in the front and two darts in the back, pockets, and a front zipper (more detailed photos are below).

I made size 44 (US 12, UK 18), which has a waist of 33 inches (84 cm) and a hip of 42 1/2 (108 cm). If I had made these two years ago, I would have made a size smaller but waistlines change. My hips are about 43 inches (109 cm) but I thought it was a good bet that the fit would be fine because of the wide legs so I didn’t add any additional ease to the hips – that’s the beauty of culottes!

Mimosa Culottes - sewing pattern by Named Clothing - high-waisted, wide-legged design -

I really like black but it’s hard to photograph. I got lucky with a couple of photos and the sun just happened to highlight my fabric. It’s a lightweight jacquard made out of some synthetic fiber. I found it among the discount designer fabrics on the second floor at Stonemountain & Daughter Fabrics in Berkeley. There are flowers in the design, which you can see in this photo (taken after the photos shoot in bright sunlight to get the details).

Mimosa Culottes - jacquard fabric

I forgot that high-waisted designs limit what you can wear with them. You either need to wear something cropped or a close-fitting top that you can tuck inside. I got this cropped knit top from Urban Outfitters several years ago. I haven’t worn it much because it hits me at the hips and doesn’t really work with my other garments unless I layer it with a longer tee underneath. I was happy to wear this top with my new culottes. A former co-worker of mine called it my seeing-eye chart top. 😉

Mimosa Culottes - sewing pattern by Named Clothing -

The Mimosa Culottes have nice deep pockets. I can put my whole hand in them! I have long fingers so this is a big deal. My husband is about 7 inches (nearly 18 cm) taller than I am but our hands are the same length. Really.

Mimosa Culottes - sewing pattern by Named Clothing - high-waisted, wide-legged design -

I take all my blog photos so it’s a big challenge to see the details of the culottes. I can only focus on the wall. I use the timer on my Sony Cyber-shot digital camera and my iPhone 6. I don’t have a camera remote control. This means that’s it’s tough to get photos in focus and the correct exposure but I take a lot of photos and hope for the best.

Mimosa Culottes - sewing pattern by Named Clothing - high-waisted, wide-legged design -

Mimosa Culottes – Details

Here are some photos with some of the details that you can’t see in the photos above. The pleats are at a diagonal slant, which is an interesting detail. I lightened the photos a little so you can see the floral design on the fabric.

Mimosa Culottes - diagonal front pleat detail -

There are two darts in the back.

Mimosa Culottemed Clothing sewing pattern) back darts -

Here’s what the inside front looks like with the pockets and the fly shield, the fabric behind the zipper. The Mimosa Culottes have a button and hook/eye closure. I used a flat red button that was in my stash.

My fabric was lightweight so I didn’t use a lining fabric, which meant I really didn’t need an inner and outer pocket bag. The inner pocket bag is the pattern piece you cut using your fashion fabric so you won’t see the lining. I wasn’t thinking when I cut my pattern pieces. The inner pocket bag pieces have interfacing fused to them. If you want to use the same fabric for the entire pocket, just put the two pocket bag pieces together to make one pocket bag and cut four.

Mimosa Culottes (Named Clothing sewing pattern) - inside view -

Check out the pocket. It’s looks rather professional, doesn’t it? I haven’t made pockets like this before because I usually sew skirts with pockets in the side seam. But I’m in desperate need of pants (trousers) these days. So I will be sewing more over the coming months.

Mimosa Culottes - Named Clothing sewing pattern - pocket detail -

Here are a few more construction details: After you’ve attached the waistband, you’re supposed to place the folded edge so that it slightly overlaps the waist seam on the wrong side; then stitch in the ditch from the right side. Instead, I hand stitched the waistband in place on the inside. When I stitch in the ditch on the right side, I don’t always catch the folded edge on the other side so I opted to hand stitch.

I finished my hem with seam tape and hand stitched it in place.

Mimosa Culottes (Named Clothing sewing pattern) - hem finishing -

Mimosa Culottes Pattern Adjustments

I only made two adjustments to the back with the help of Jennifer Serrr, owner of The Sewing Room and pattern designer for Bonjour Teaspoon. She suggested 1.) taking in about 1/4″ (6 mm) to get rid of drag lines and 2.) dropping the back crotch curve by 3/8 inch (1 cm) for a little more ease. I added that amount to the hem so the hem length would remain the same. This photo is of my first mock-up. I made a second mockup to make sure those adjustments worked. The second one was fine so I went ahead and cut my fashion fabric.

Mimosa Culuttes Named Clothing sewing pattern) pattern adjustment in back -

Named Clothing designs for a height of 5′ 8″ (172 cm), which is my height. I decided I liked the long length on the model so I didn’t change it. (See my post on sewing pattern height.) I didn’t notice that my camera was slighted tilted downward so it’s making my culottes seem longer than they really are in this photo.

Mimosa Culottes - sewing pattern by Named Clothing - high-waisted, wide-legged design -

A note on accessories: I made the hat ribbon, which I first blogged about for Britex Fabrics here and reposted to my blog here. The necklace is from Macy’s, the shoes are by Arche, purchased from a discount designer store that’s no longer in business. I’m also wearing a striped vintage bracelet from one of my sisters. You can’t see it in this photo but you can see it in one of the earlier photos.

Mimosa Culottes Materials

  • 2 1/2 yards (210 cm) of fabric ($3.50/yard for a total of $8.75)
  • fusible interfacing for inner pocket bag
  • 7-inch zipper
  • hook and eye
  • small button
  • thread

If you want to use lining fabric for your pocket bag, add 1/2 yard of lining fabric. All the other materials were in my stash so I only bought the fabric to make the culottes.

I really like this pattern. Now I need more tops to wear with them! I bought the Named Clothing Lexi A-line Top, which goes well so maybe I’ll make that, too. Have you made any culottes?

Mimosa Culottes - Named Clothing sewing pattern -

Hello Stitch – a new sewing studio

Hey, Berkeley now has a new sewing studio with sewing machines, sergers and a long-arm quilter! Hello Stitch offers a place to sew for members as well as sewing and quilting classes (read about membership benefits here). Kristen, Stacey and Terri, the founders of Hello Stitch Studio, “wanted to create a space where people can be inspired to sew and create things by hand.”

Hello Stitch Studio founders - Kristen (left), Stacey and Terri.
Hello Stitch Studio founders – Kristen (left), Stacey and Terri at the grand opening.


I got this lovely pin at the grand opening in April. The colorful quilt in the background is by the talented Tara Faughnan.

Hello Stitch pin

Hello Stitch has a spacious studio with high ceilings and gets great natural sunlight.

Hello Stitch sewing studio interior

Here’s a look at some of the sewing machines and sergers there.

Hello Stitch sewing machines and sergers

One wall has these cards with the classes being offered – garment sewing, quilting, accessories and more.

Classes at Hello Stitch sewing studio in Berkeley

Garment sewing at Hello Stitch

If you’re interesting in garment sewing Beth Galvin, who blogs about sewing at SunnyGal Studio and blogs for Craftsy, will be teaching at Hello Stitch. Beth has tons of sewing experience and makes nearly all of her clothes and coats. She also sews custom-fit garments for clients. Beth did a great sewing demo for the Bay Area Sewists meetup group in April, showing how to convert bust darts to shoulder gathers.

Here’s what she’s teaching at Hello Stitch:

Sew basics - skirt class at Hello Stitch taught by Beth Galvin

Quilting classes

Hello Stitch offers several quilting classes, including Innova Longarm Certification, which you must take to rent the longarm. I’m not a quilter but I might want to quilt some fabric to make a coat. Wouldn’t it be fun to make your own quilting design and quilt some fabric?

Bay Area Sewists at Hello Stitch

I’m the organizer for the Bay Area Sewists meetup group and we will be having a “show and tell” meetup at Hello Stitch on Saturday, July 8. If you’d like to attend, join the meetup group and RSVP for the meetup here ($5 fee).

It’s great to have a new venue for sewing classes, especially after Stonemountain & Daughter Fabrics stopped offering classes last year. (See my interview with Suzan Stonemountain’s owner Suzan Steinberg.) Stonemountain has a good list of the many places you can take sewing classes in the Bay Area here. I’m looking forward to holding a meetup there.

Alzheimer’s clothing – sewing patterns for women

Hi, I only blogged once in April so I’m making up for lost time and posting twice this week. The posts I’ve been working on have required more time to put together because I needed to gather information or images. (For example, see yesterday’s post on sewing pattern height.) Today’s post is about Alzheimer’s clothing, garments that work for people with Alzheimer’s – something people don’t think about unless they know someone with Alzheimer’s. My mom has dementia so I’ve been looking at sewing patterns that work for an Alzheimer’s wardrobe.

My mom can no longer deal with multiple buttons on a garment. Her dementia has affected her ability to handle the process of buttoning a cardigan. This means that any clothing she wears needs to be button-free. Zippers are still OK and she can manage dressing herself with some assistance as long as my dad lays out the garments for her in the order she needs to put them on (underwear, top, pants). If you gave her a pile of clothing, she would get confused and not know what to put on first.

Whenever Mother’s Day or her birthday rolls around, I usually don’t have time to make anything and then I find myself wandering the petites department at Macy’s searching for appropriate Alzheimer’s clothing. My mom’s birthday is in December so this year, I’m planning way ahead and putting together a list of potential patterns. I also decided to look beyond  patterns just for my mom and just look for patterns that could be useful for other people who may know someone with Alzheimer’s.

Besides the lack of buttons, it’s important to have simple designs without any extra openings. For example, a top with an opening in the back in addition to the neckhole, such as M7570 would not work – nor would a cold shoulder design like V9260. Too many openings. Look for tops with the three basic openings – one neckhole and two armholes.

These sewing patterns wouldn't work for someone with Alzheimer's because they have too many openings and would be confusing to put on.

Here are some Alzheimer’s clothing possibilities for women.


The Limoncello Cardigan by SBCC Patterns  doesn’t have any buttons. SBCC’s website says that the front drape “does not overwhelm a petite torso, and can conceal a fuller chest.” My mom is 5 feet (152 cm) tall. SBCC Patterns are designed for petite women, using a base height of 5′ 1″. (Check out my sewing pattern height chart in this blog post.) This is a good pattern for my mom. You can get a hard copy or a PDF of this pattern here.

Limoncello Cardigan - SBCC Patterns - this stylish cardigan works for women with Alzheimer's because it doesn't have any buttons

This See & Sew unlined jacket (B6443) doesn’t have any buttons. It’s a nice basic jacket. The pattern also includes a draped vest. My mom doesn’t really wear vests so I wouldn’t make that for her. You don’t want to introduce unfamiliar clothing to people with Alzheimer’s. It’s best to stick to styles and colors that they are used to wearing. (The pants are not part of this pattern.)

Butterick - B6443 sewing pattern - This jacket is a nice option for women with Alzheimer's because it doesn't have any buttons.

The sleeveless Gimlet Top, also by SBCC Patterns, is designed for knit fabric and looks like a quick sew. Maybe I can make it for Mother’s Day. You can get a hard copy or PDF of this pattern here.

Gimlet Top - SBCC Patterns - This stylish yet simple design is a good option for women with Alzheimer's

The Tonic Tee by SBCC Patterns is a nice basic top. You can buy the hard copy of the pattern here or sign up for SBCC’s newsletter and get a free PDF version of the Tonic Tee. If you’d like to add a cute Peter Pan collar to this tee, check out Christine Haynes’s Tonic Tee Upgrade, a guest blog post from 2014.

Tonic Tee by SBCC Patterns - this basic top is good for women with Alzheimer's

Vogue pattern (V9225) has a good basic design and is flattering for different figures. the different sleeve lengths make this a pattern you can sew for hot or cool weather.

Vogue patterns - V9225 - top - a nice option for women with Alzheimer's

Here’s a more fitted Vogue top (V9205), which has some interesting decorative darts. Beth, who blogs at SunnyGal Studios, has sewn it and blogged about it here.

 Vogue patterns - V9205 - this top with different sleeve options is a stylish option for women with Alzheimer's

This Vogue (V9224) handkerchief-hem tunic would be nice for taller figures.

V9224 - Vogue Patterns - handkerchief-hem tunic - an option for women with Alzheimer's


These Butterick pants (B5893) have an elastic waist. There are also shorts. I recently bought this pattern for myself.

Butterick - B5893 - pants sewing pattern - the elastic waist on these pants is good for women with Alzheimer's


The Kitschy Coo Lady Skater Dress is a comfy and flattering dress with three sleeve options (cap, 3/4 and long). The big neck opening is good for people with Alzheimer’s. It makes it easy to get dressed (available as a PDF).

Kitschy Koo - Lady Skater Dress - the large opening for the head makes this a easy-to-wear dress for women with Alzheimer's


McCall’s M6474 is a simple comfortable design – neck and armholes, which are easy for my mom to manage. The pajama bottoms have an elastic waist. Elastic waists are great because they are easy to pull on and take off. It’s probably best to avoid the maxi length nightgown or you risk a fall, plus a shorter length makes it easier to manage in the bathroom. At this point, my mother can no longer communicate when she needs to go to the restroom so my dad just takes her to the toilet at regular intervals.

M6474 - sleepwear, nightgowns and pajamas for women - this basic design is good for women with Alzheimer's

This cute McCall’s pajama set (M7060) doesn’t have any buttons and comes with an elastic waist – perfect for someone with Alzheimer’s.

McCall's sewing pattern - M7060 - pajamas - the elastic waist makes this a good design for women with Alzheimer's to wear

As of this writing, all of these patterns are in print. Should they go out of print, please search eBay and Etsy for a copy. I hope you find this Alzheimer’s clothing information helpful. It makes you realize the little things you take for granted, such as getting dressed in the morning. You do it without thinking about it. My dad helps my mom get dressed everyday.

They live on the East Coast and I’m in California so I don’t see them as often as I’d like. My mom still recognizes people, which is great. But it can be challenging to make conversation because you can’t really ask questions.

My mom taught me and my sisters how to use her sewing machine. She made all our clothes when we were young. Now she can no longer sew. She doesn’t have the cognitive ability to remember how to use a sewing machine. I guess things have come full circle and it’s my turn to make her clothes.

Here's what you should consider when making a garment for someone with Alzheimer's

Sewing plans for 2017 – updated

Hi! In December I wrote about some of my sewing plans for the new year. Well, plans are always subject to change, right? So far I’ve made two garments in 2017 – a new Chardon skirt (Deer and Doe sewing pattern, not on my list) …

Chardon skirt for Bay Area Sewists Frocktails in February event

… and a Toaster Sweater (on my list).

Reversible Toaster Sweater - Sew House Seven sewing pattern

I also got two great sewing patterns for my birthday last month – a Style Arc shirt and a Papercut Patterns top, which I blogged about here.

For me, making one garment a month would be great. So it’s fantastic for me to have a skirt and a top completed by March! I made the Chardon skirt to wear at the Bay Area Sewists Frocktails event in February. I made a reversible version of the Toaster Sweater for a guest blog post I did for Britex Fabrics in February. It was a fun challenge. Then I expanded the post on my blog with more construction details here.

I’d like to sew everything I mentioned in December but for the next few months I will focus solely on tops and pants. I really want to sew the Style Arc Juliet Woven Shirt and a couple versions of the Papercut Patterns Skipper Tunic, which has multiple variations. Plus I still have an urgent need for pants. I’ll likely start with the Mimosa Culottes by Named, which aren’t really pants but I’ve made one muslin and I still need to sew up the second one. I first mentioned the culottes last May, when I blogged about four PDF sewing patterns I bought.

Named sells paper patterns but the cost of shipping all the way from Finland is quite high so I opted to get the PDF version. I recently discovered that Harts Fabric, an indie fabric store in Santa Cruz, Calif., now carries now carries Named and Papercut Patterns! How exciting! The store carries many other indie pattern lines as well – and shipping is only $6.50 for U.S. orders. You can see the inide patterns Harts carries here.

Here’s a gif of the current sewing plans: Style Arc Juliet Woven Shirt (interesting tie in front), four versions of the Skipper Tunic (neckline, sleeve and length variations), and the Mimosa Culottes. I need to shop my stash to see if I have any fabric for the Juliet shirt. I’m sure I have some fabric I could use for the Skipper Tunic. And I have a black fabric with a nice drape for the culottes.

My updated sewing plans for 2017 - Style Arc Juliet Shirt, Papercut Patterns Skipper Tunic, Named Mimosa Culottes

Have your sewing plans changed? What’s on your sewing table?

StyleArc and Papercut Patterns – two indie sewing patterns

Hi, it was my birthday earlier this month so in January I told my sisters about some international patterns I liked. And my sisters are like my fairy godmothers – they granted my wishes! I got the StyleArc Juliet Woven Shirt, which I have been eying, along with the Imogen Knit Skirt, a free pattern for January. Plus I got the Papercut Patterns Skipper Tunic, which has three sleeve variations, necklines and lengths. 

StyleArc is an Aussie pattern company – as you can see from the mailing envelope in the photo below. I think I first heard about this company from Sew Busy Lizzie, a sewing blogger based in Australia. It may have been her post about the StyleArc Ziggy jacket. Actually, that post made me a bit wary about trying any StyleArc patterns because sizes are not nested and the instructions are minimal. When she made the Ziggy jacket, she bought a PDF and had to tape together more than 40 pages. Each size was a separate PDF.

StyleArc prides itself on creating “real industry based sewing patterns” that are “easy to work with.” I haven’t sewn any StyleArc patterns before but I wanted to try this shirt because I love the tie waist and 3/4 sleeves. The paper pattern comes with a swatch of fabric that is recommended for the pattern – nice detail!

StyleArc - Juliet Woven Shirt - sewing pattern

If you buy a StyleArc paper pattern, you need to pick your size. I decided to pick the size that went with my hips, my widest area. Here’s the StyleArc size chart. My current weight puts me at a size 14 waist (33.5 inches, 85 cm) and in between a size 14 (42.5 inches, 108 cm) and 16 (44.5 inches, 113cm) hip. Two years ago I was a size 12 waist and size 14 hip. (sigh) But I’ve gained a bit of weight since then. I chose size 16 for the skirt as well. It may be too big but I’ll find out eventually.

When I got my Juliet shirt pattern, I also discovered  that you can also buy StyleArc patterns on Amazon – but not all the styles are there. The Juliet shirt isn’t on the U.S. site. But it’s great to know that I can buy their patterns and get free shipping as an Amazon Prime member!

Papercut Patterns is a New Zealand pattern company that says it has a “strong focus on design and sustainability.” They use “100% recycled or recyclable products where possible.”

Papercut Patterns - Skipper Tunic

Papercut packaging is really lovely. You could hand the pattern in your closet. This photo is a still image of the video story I posted on Instagram when I got the pattern. So the image quality isn’t great.

Papercut Patterns packaging

Here’s the paper the instructions and pattern paper are printed on. The instructions are printed so that you cut them out and put them together into a mini booklet. This image was also part of my IG story.

I’m looking forward to making both of these patterns! Have you sewn any StyleArc or Papercut Patterns designs?

More flight attendant uniforms – and astronauts!

I decided to write another post about the Fashion in Flight exhibit on the history of flight attendant uniforms that was on display at the San Francisco International Airport – note the past tense – was. The exhibit closed last Sunday. I feel bad that I didn’t get around to blogging about it until the week before the exhibit closed (read my earlier post here). So here are a few more photos, plus a look at spacesuits because so many flight attendant uniforms of the 1960s were inspired by the astronauts of that era.

Photo credit: Braniff International Public Relations Archives, History of Aviation Collection, UT-Dallas
Braniff International Airways hostess in uniform by Emilio Pucci (1965)
Photo credit: Braniff International Public Relations Archives, History of Aviation Collection, UT-Dallas

This ensemble is part of a collection of designs designed by Emilio Pucci for Braniff International Airways. He called it “Gemini IV,” after NASA’s Gemini program, which was the precursor to the Apollo program that sent astronauts to the moon. Clearly this plastic helmet was a takeoff on astronaut headgear. It was worn for publicity photos and when greeting passengers before they got on a flight. Braniff liked to call its flight attendants “air hostesses.” (You can see more photos of this uniform in my previous post about Fashion in Flight. Note: The nice photos are courtesy of the SFO Museum or the airlines that loaned them the images or uniforms. The photos with glare are the ones I took at the exhibit. All the uniforms were behind glass and it was difficult to take a good photos.)

This flight attendant uniform made me curious about astronaut outfits so I decided to look for photos of NASA spacesuits on its website and Flickr page. (NASA is a U.S. government agency so their images don’t have copyright restrictions. Check out NASA’s Flickr album Astronauts.)

Here’s the very first group of U.S. astronauts, known as the Mercury 7. They were part of Project Mercury, NASA’s first program to get a man into space.

On April 9, 1959, NASA introduced its first astronaut class, the Mercury 7. Front row, left to right: Walter M. Schirra, Jr., Donald K. "Deke" Slayton, John H. Glenn, Jr., and M. Scott Carpenter; back row, Alan B. Shepard, Jr., Virgil I. "Gus" Grissom, and L. Gordon Cooper, Jr. Photo credit: NASA
On April 9, 1959, NASA introduced its first astronaut class, the Mercury 7. Front row, left to right: Walter M. Schirra, Jr., Donald K. “Deke” Slayton, John H. Glenn, Jr., and M. Scott Carpenter; back row, Alan B. Shepard, Jr., Virgil I. “Gus” Grissom, and L. Gordon Cooper, Jr.
Photo credit: NASA

This publicity photo was taken in 1959 but they didn’t make it into space until 1961. It took all that time for NASA to figure out how to get a manned capsule into space and then several more months to determines how to orbit the Earth and land safely. One thing that this group of astronauts had in common with the flight attendants of the era is that they had to be of a certain weight and height because of the size of the capsule. (Check out this article “Women in the Skies,” on flight attendants, excerpted in Ms. magazine.)

Speaking of space flight, I’ve been reading Margot Lee Shetterly’s book Hidden Figures (affiliate link here), which is the inspiration for the film of the same title. If you read the book or see the film, you will be inspired by the stories of the incredible African-American women mathematicians behind the complex theoretical math calculations that helped make the space voyage possible. If you haven’t seen the film Hidden Figures, go see it!

Now check out this flight attendant uniform from the 1960s – note the silver fabric. Unfortunately, I didn’t note which airline had this uniform when I took this photo last month. The fabric has that astronaut sheen to it. 😉

1960s flight uniform

Here’s a spacesuit from 1966, part of the Gemini program. The neck makes me think of the 1960s funnel necks and more recent patterns such as  the Tilly and the Buttons Coco Top + Dress.

Gemini-Titan 4 (GT-4) Prime flight crew, Ed White and Jim McDivitt, at Pad 19. May 29, 1966
Gemini-Titan 4 Prime flight crew, Ed White and Jim McDivitt, at Pad 19. May 29, 1966 (NASA on the Commons, Flickr)

I found a fun video on the NASA website about spacesuits. After you watch the video, which is introduced by an avatar (you can skip the animated intro), you’ll see six versions of NASA spacesuits, from the shiny silver of the Mercury missions to the orange “pumpkin suit” and the most recent one designed for future space exploration.

Here’s the 1968 spacesuit design for the Apollo astronauts. Note the various valves on the torso of the suits.

Apollo 8 crew is photographed posing on a Kennedy Space Center (KSC) simulator in their space suits. From left to right are: James A. Lovell Jr., William A. Anders, and Frank Borman. November 22, 1968 (NASA on the Commons)
Apollo 8 crew is photographed posing on a Kennedy Space Center simulator in their space suits. From left to right are: James A. Lovell Jr., William A. Anders, and Frank Borman. November 22, 1968 (NASA on the Commons, Flickr)

These ladies have a space-age look to them, too. I see spacesuit touches in their necklines and the round pocket opening seems inspired by the valves on the spacesuits, eh? This photo was also in the SFO Museum’s Fashion in Flight photo album for the exhibit.

Union de Transport Aériens stewardesses in uniforms by Pierre Cardin 1968 photograph Air France Collection.DR/Air France Museum Collection.
Union de Transport Aériens stewardesses in uniforms by Pierre Cardin (1968) photograph Air France Collection.DR/Air France Museum Collection.

The front round pocket is more of a design element than any practical use. I don’t know if you can fit your entire hand in it unless you have small hands. Here’s a look at the actual uniform in the exhibit (sorry for the glare).

Union de Transport Aériens - uniform designed by Pierre Cardin - 1968
Union de Transport Aériens – uniform designed by Pierre Cardin – 1968

Here’s a closer shot I took of the pocket. (Note the interesting topstitching at the waist. It’s quite a distance from the seam, isn’t it?)

Union de Transport Aériens - uniform designed by Pierre Cardin - 1968

Here’s the last of the 1960s photos I took. This 1968 polyester flight attendant uniform designed by Oleg Cassini for Air West and has a bit of “Starfleet Command” in it, according to the exhibit. I can definitely see that. (The original Star Trek series was on the air from 1966 to 1969.)

Air West 1968 uniform designed by Oleg Cassini
Air West 1968 uniform designed by Oleg Cassini

I hope you enjoyed this foray into 1960s fashion and astronauts!

You can see more photos of the flight attendant uniforms in Fashion in Flight on the SFO Museum website here.

SeamstressTag – Getting to know me

A few weeks ago, Stefanie of Sea of Teal tagged me to participate in #SeamstressTag – a way for other sewists to get to know one another. I’ve been following Stef on Instagram (@seaofteal) for a while now. I enjoy seeing what she makes as well as the beautiful photos of nature and sunsets. And I discovered from her SteamstressTag post, that her photos are taken by her talented husband. He takes great photos of her and she always looks great!

She has a lovely photo of herself in her blog post that I decided to see if I could find a blog photo that didn’t have a lighting issue. I’ve made a lot of garments using black fabric (so hard to get the exposure right!) and I’m slowly getting better with using the timer on my camera. I went all the way back to 2015 to find this photo I took of my Deer & Doe Chardon skirt (blogged here) and wearing a velvet vintage hat.

Deer and Doe - Chardon Skirt - sewing pattern - SeamstressTag

Stef has given me a set of questions to answer as part of #SeamstressTag. Here are the questions and my answers:

1) Who are you?
This is an interesting question. My first response is a list of nouns (woman, wife, sister, daughter and so on) but that doesn’t really say much, does it? So here are a few random facts. I grew up in upstate New York with three sisters – one older and two younger, no brothers. My parents liked musical theater. When we traveled to New York City (a 4.5 hour road trip), we’d sometimes sees a Broadway musical. The ones that stand out the most are Annie and The King and I, starring Yul Brynner, during his final Broadway run in 1985 before he died of cancer later that year.

I live in Berkeley, California, which is in the northern part of the state. It gets cold in the winter in Berkeley – but not usually cooler than 40-something degrees Fahrenheit (about 4 degrees Celsius). Los Angeles is roughly 376 miles (604 km) south of Berkeley. It’s L.A. that has the warm weather, palm trees and beaches usually associated with California.

When I’m not sewing, I’m writing, editing or managing copy for a variety of clients.

2) When & why did you start sewing?
My mother taught me and my sisters to how to use her sewing machine. I can’t remember how old we were when she gave us the basics on threading the machine and using the straight stitch. She made all of our clothes, such as the ensembles we’re wearing below, when we were growing up. I’m wearing the white top with red shorts, petting the goat.

Sisters wearing clothes made by mom

English wasn’t my mother’s first language so she just looked at the step-by-step illustrations to figure out how to construct the garments. I remember many trips to Jo-Ann Fabric over the years to buy fabric – that was back when Jo-Ann’s was primarily a fabric store.

In junior high school, I took a mandatory home economics class and we all sewed stuffed animals from kits. I made a whale. I really enjoyed that class and learned how to sew fake fur. I sewed off and on throughout college – making some of my first hats on my mom’s Singer Golden Touch when I was home on break. I didn’t use a pattern. I just experimented, trying to copy hats I saw that I liked. After college I didn’t sew for years and years.

In 2009 I got a machine as a Christmas gift and began sewing again, making dresses from vintage patterns and sewing other garments. I forgot how much I enjoyed sewing and began sewing knit fabrics, which was new for me back then. Two years later, I started this blog.

I continue to sew because I get so much pleasure from it. I love having a finished garment to wear. I also enjoy seeing what other sewists make on Instagram.

3) What is your favorite or proudest make?

I don’t think I really have a favorite make. But one of the dresses I wear most often is my first Anna dress, a By Hand London pattern, which I made with a border print in 2014 for Sewing Indie Month. It was a finalist for the Dressed to the Nines sewing contest. I wore it to a wedding last summer. The fabric is from Britex Fabrics. I’ve also worn the dress to a Bay Area Sewists meetup at Britex. (Thanks to writing this post, I found the better photos from the original photo shoot and just updated some of the photos in the blog post.)

By Hand London Anna Dress - border print fabric - SeamstressTag

4) What is your most disastrous make?

I don’t know think I’d call it disastrous but probably the most challenging make was when I had to figure out a lot of pattern adjustments to make the Thread Theory Newcastle Cardigan for my husband. The pattern is drafted for slim figures and I had to make many adjustments that I had never done before to get it to fit right. I made the largest size and it was too tight everywhere. i nearly gave up. It took me three tries to get it right. You can see some of my adjustments in this post.

5) Where is your favorite place to go fabric shopping?

I’m really lucky to live in the Bay Area where we still have family-owned and -operated fabric stores. I live within walking distance of Stonemountain & Daughter Fabrics in Berkeley, which carries a wide array of fabrics and indie sewing patterns. San Francisco’s Britex Fabrics has four floors of fabric and is easily accessible via public transportation – just a 23-minute train ride from where I live. And just a few stops from Britex is Fabric Outlet in the Mission District in San Francisco.

Britex Fabrics in San Francisco and Stonemountain & Daughter Fabrics in Berkeley

6) What is your most used pattern?

I have made four different Deer & Doe Chardon skirts so it’s definitely one of my favorite patterns. (Here are some links if you’d like to read about the other three, besides the floral one pictured above: my black-and-white Chardon, my maxi Chardon in an African wax print, and my linen Chardon (pictured below). I’m planning on making one or two more this year. I just love the inverted pleats which are great for wide hips.

Deer and Doe - Chardon skirt - linen fabric -

7) Your most dreaded sewing task is…

Making pattern adjustments for my husband. He’s a big guy and all the adjustments are different from anything I do for myself. So I really dread making them pattern adjustments but I’m getting better and I get help from other sewists via Instagram (@sewbrooke is particularly helpful because she works as a costumer). Now I tissue-fit first and make as many flat pattern adjustments as I can so I can reduce the number of muslins. I’m hoping I only have to make one muslin of the Kwik Sew cardigan I’m making for him now (fingers crossed!).

8) And your favorite sewing task?

Choosing fabric and hemming – because it means I’m nearly done!

9) What is your favorite ‘sewing entertainment’?

Lately, I haven’t really been listening to anything when I’m sewing on my machine unless my husband is around, then I’ll listen to whatever he’s playing, usually jazz or R&B. If I’m doing hand sewing, I’ll do that in front of the TV.

10) Printed or PDF?

I prefer printed but I also sew PDF patterns.

11) What sewing machine do you use?

I use a Kenmore sewing machine from Sears, which I got in 2009. It’s a good basic machine. Unfortunately, Sears no longer carries sewing machines, which you can read about on here on the Sewing Machine Lady’s website. The Kenmore machines were made by Janome. In 2014, I got a used Bernina 1008, which is a mechanical machine, no fancy electronics. It stitches very nicely but you can’t adjust the pressure of the presser foot which is a problem when sewing knit fabrics. So then I switch to the Kenmore or use my serger (a Janome 204D), which was gifted to me by a generous Bay Area Sewists member at then end of 2015.

12) Do you have any other hobbies?

I’m a hat collector. I haven’t done a recent count but I likely have more than 60 hats now. I’ve been buying and making hats for more than 20 years. I’ve taken a few millinery classes, learning about embellishing hats, covering buckram frames with fabric and even making a sculptural lace hat. In all of my blog photos, you’ll see me wearing one of my hats.

Hat collection

Before a photo shoot, I’ll usually stare at the hats on the bedroom wall or on the small hat rack on the dresser – and then pick one or two to wear with my ensemble. I have many vintage hats and some new hats, too. I made the red hat in the top row using upholstery fabric. You can sort of see the lace hat I made – it’s just below the grey wool beret with the tan button in the middle. The lace hat is sitting on top of a linen and velvet vintage hat.

I don’t have enough room for all of my hats so some are stacked on top of each other. And yes, they do collect some dust. I have a special brush that’s just for my hats. So I’ll just give them a once-over with the brush before I wear them. I have hats in a few hat boxes, too. They are the hats with sequins and feathers. I have a lot of “flat” hats, such as berets that are in the closet.

This is one of my favorite wool berets, which my sister got for me in London more than 20 years ago. This photo was taken by professional photographer Sarah Deragon of Portraits to the People. It was one of the rejects for the editor’s page of a publication I used to edit.

Beret - Chuleenan of C Sews

If you want to see a few more of my hats, check out my January newsletter, which has a column showing five of my hats, also taken during this photo shoot. I brought a hat box full of hats that day.

Thanks so much for tagging me, Stef! Now it’s my turn to pick a few sewists I’d like to know better. I’m tagging:

I really enjoy seeing what they make on Instagram and need to visit their blogs more often. They are all very talented and creative sewists whose work I admire. I look forward to their answers!

The questions:
1) Who are you?
2) When & why did you start sewing?
3) What is your favorite or proudest make?
4) What is your most disastrous make?
5) Where is your favorite place to go fabric shopping?
6) What is your most used pattern?
7) Your most dreaded sewing task is…
8) And your favorite sewing task?
9) What is your favorite ‘sewing entertainment’?
10) Printed or PDF?
11) What sewing machine do you use?
12) Do you have any other hobbies?

#SeamstressTag - Getting to know me, Chardon skirt and Anna Dress by Chuleenan of