Hi, in my earlier post on my wool Sapporo Coat, I mentioned that I would be doing a follow-up post on lining the Sapporo Coat. So here it is!
This is a Papercut Patterns design, which is available as a printed pattern ($30 NZD) and as a PDF. I bought my pattern at Stonemountain & Daughter Fabrics. There are just a few pattern pieces, the front and the back, which uses the same three pieces you use for the fashion fabric.
Here’s the lining cut and sewn. I used a very nice black warm coat lining from Britex Fabrics. It was flannel-backed on one side and a smooth and shiny satin on the other ($16/yard, 60 wide). The smooth side makes it easy for your coat to slide on and the flannel side makes it super easy to cut and sew. Britex calls this fabric “warm-back coat lining” and carries it in six colors, including brown, silver and royal blue ($15.99/yard).
The pattern calls for lining fabric that’s 60″ wide but you could use 44″ wide, just get another yard or so of fabric so you’ll have enough to cut all the lining pieces.
The Sapporo Coat lining is hand sewn to the sleeves and machine sewn along the front and the hem. You leave an opening in the side seam so you can turn it inside out. If you haven’t lined a coat before, it’s pretty basic. You place the right side of the lining so it’s facing the right side of your fashion fabric and then you sew them together and turn it inside out. It’s similar to making a pillow, just a different shape.
I pinned the lining to the facing, right sides together. I used a lot of quilting pins because longer pins are easier to work with the thick coat fabric.
Here’s a closer look.
Here’s the opening I left in the side seam. This is where I’ll turn the coat inside out.
When you sew the facing, you stop 3/8 inch (1 cm) short of the hem because the corners of the coat will be sewn together last, which you’ll see below.
Next I pinned the coat hem to the lining and sewed this seam, beginning and ending 3/8 inch (1 cm) from each end.
Here’s a close-up of the bottom hem pinned to the end. When you sew this seam, remember to stop 3/8 inch (1 cm) from the end.
Here’s a look at the lining corner after I sewed the bottom hem.
Then I sewed the diagonal seam and trimmed it so it would come to a point when I turned the Sapporo Coat lining inside out.
The Sapporo Coat lining is now attached to the facing and hem and looks like this.
Now the coat is ready to be turned inside out. So I pushed the right side of the coat through the opening in the lining.
Now all that’s left is attaching the lining to the sleeves. This was the tedious part of lining the Sapporo Coat because you hand sew the sleeve lining to the sleeve. They are wide sleeves so it took a while.
Hi! I finally took photos of my latest Papercut Patterns Sapporo Coat! I made one version a couple of months ago. It was my mockup using a bed sheet, which you can see here. I made a mockup because I wanted to see how it fit before I made one from this luscious teal wool melton ($49.99/yard) I got from Britex Fabrics because I’m doing a guest post for Britex about this coat. This fabric is on sale for $39.99/yard until October 30! All their online wool fabrics are on sale until that date.
The instructions are clear and sewing the coat wasn’t difficult. Papercut Patterns rates its patterns with three skill levels – Rookie, Skilled and Expert. The Sapporo Coat is rated “Skilled,” which seems about right. You need to have some sewing experience to make this coat.
My lining fabric is also from Britex – it’s a lining specifically made for coats. This black warm-back coat lining is satin on one side and flannel on the other, which makes it easy to sew. It’s 60″ wide and $15.99/yard.
I love the Sapporo Coat pattern and I especially love this beautiful fabric. I’ve never made anything in this color and I’ve never sewn wool melton before. The color is a deep teal. I was having trouble getting the right exposure and the sun was so bright it was hard to see the images. The color is more accurate in the photos that are darker.
I’m thrilled that it turn out so beautifully. The design of this coat works very well with this fabric. You can really see the cocoon shape. It’s not a dramatic cocoon but more of a gradual tapering towards the bottom.
Sapporo Coat pattern details
This coat comes in three sizes – XXS/XS, S/M and L/XL. You can get the paper pattern here for $30 NZD or the PDF here for $20 NZD. This is a coat has a lot of ease. I made the largest size because I have very broad shoulders and very long arms so this size was perfect.
I’m not joking about the broad shoulders. You know how people complain that Vogue patterns are huge in the shoulders? Well, those shoulders are fine for me. So far, I haven’t needed to make any adjustments in the shoulders for the Vogue patterns I’ve made. The teal is like the color in this photo and the one below it.
I’m about 5′ 7 1/2″ tall – though I like saying 5′ 8″ (172 cm). The coat hem is above my knees but a little below mid-thigh. So anyone shorter than 5′ 7″ should definitely measure the pattern and see where the hem will land on your body. You may need to shorted the pattern.
Sapporo Coat size
For some people, the size they initially made was huge on them so I highly recommend making a mockup before sewing your fashion fabric. Also, if you are not very tall, you will likely need to shorten the sleeves. You can shorten the sleeves by removing length from the shoulder of the top front pattern piece and the back. Then you can leave the cuffs as is.
I didn’t make any changes to the coat pattern except for lengthening the pockets. I added an inch of depth because the pockets seemed a little shallow for me. I have long fingers and I really want to get my hand in there.
Sapporo Coat pockets
The coat front is made up of two pattern pieces. The seam where the pieces come together include the pocket. So when I added depth to the top pattern piece here…
I also needed to add the same amount to the bottom pattern piece. To make sure they matched, I lined up the pattern pieces. The top pattern piece is folded down…
… and forms the top of the pocket, which you can see here. The pockets are formed by the fashion fabric, which may seem a little odd because pockets usually use lining fabric. I suppose if your fabric was really thick, you could use fashion fabric for 1/3 of the pocket and then lining for the rest.
Here’s what it looks like on the wrong side. I clipped the seam where it curves.
The front pattern pieces have opposing curves, which means careful sewing. I used a lot of pins, sewed slowly and it looks great. This fabric was easy to sew.
I LOVE the pockets!
Cutting and sewing wool melton
This was my first time sewing wool melton, which is a twill weave that has been felted and has a nap. When you pet it, you can feel the direction of the nap. It’s smooth when you stroke in one direction, and slightly rough in the opposite direction. Remember seeing the words “with nap” and “without nap” on the back of a pattern? Well, when you have a fabric with nap, you need to pay attention to the direction of the nap.
I noted the direction of the nap in my Chaco liner.
If you cut your pattern pieces and the nap is is not all facing in the same direction, the fabric pieces will look different when you sew them together. One piece may seem slightly darker than the other because of the nap.
Luckily, the layout Papercut Patterns provides for the Sapporo coat is laid out in the direction of the nap. I laid out my pattern pieces so that when you stroke the fabric up, that’s the smooth side. I laid it out that way because when you sit down, you will be stroking the fabric up. It’s better for the fabric to be stoked in the same direction.
I also consulted Sandra Betzina’s More Fabric Savvy book for advice on sewing wool melton. Her indispensable fabric guide has been updated this year. The latest edition is called All New Fabric Savvy (Amazon affiliate link here). It’s worth every penny. I bought the new version, too. She tells you facts about fabrics, how to treat it before you sew it, what size needle to use and the type of thread that’s best for the fabric and much more.
Sandra recommends using a 90/14 needle, which I did and she also says to use silk thread because it “makes seams almost invisible.” Well, I didn’t want my seams to disappear so I just used Guttmacher polyester thread. She also advises using a Teflon presser foot. I didn’t have one so I got a snap-on version at Stonemountain & Daughter Fabrics, which is also where I bought my paper pattern. The Teflon foot looks like this.
Yep, it’s plastic. I’ve associated Teflon with metal because it’s used to make nonstick pans for cooking and baking so I didn’t expect it to look like this. But Teflon can be used to coat plastic as well. (Read about the six basic types of Teflon coatings on Chemours website.)
Sandra also recommended preshrinking the fabric by holding a steam iron above the fabric. I steamed it. You could also take it to a dry cleaner and have them steam it, which is what Douglas, the dapper sales associate at Britex, suggests.
I traced my pattern pieces using a Chaco liner. The pattern piece provided for the center back is half a pattern piece – like it’s supposed to be cut on the fold, except you don’t. I think to squeeze all the pattern pieces on two sheets, they had to slice it in half. So when I laid that piece out, I marked the “fold line” on the fabric with a few white lines. The I could line up the pattern piece with those marks and trace the other side. I used my Kai scissors to cut the fabric.
Sapporo Coat and interfacing
The pattern calls for interfacing along the front facing and bottom hem, which makes sense for lighter fabric or fabric that has a lot of drape to it. But melton is thick and Sandra Betzina says you don’t need interfacing for wool melton because it has a lot of body already. But she does say to stabilize the neck and shoulder with stay tape. So I fused some stay tape along the shoulder seam.
Sewing the cuffs
Each cuff is made of two pieces of fashion fabric. First you sew the side seam to form one side of the cuff and then you put one inside the other right sides together and sew the bottom edge.
This is a rather thick seam as you can see so I trimmed down the seam allowances to try to reduce the bulk.
Then I understitched the cuffs.
Because the fabric is so thick understitching made one side of the cuff slightly longer than the other side. I tried to press the fabric so the seam was exactly in the middle but it didn’t quite work. I basted the cuffs together at the top as instructed before I attached them to the shoulders.
Attaching the cuffs was the only part of this coat that gave me a little trouble because the cuff pieces didn’t want to line up. I used quilting pins on this fabric. I had to hold it in place as I slowly removed the pins as I sewed the cuffs.
Here’s another look at the completed cuff.
Here’s that the coat looks like from the wrong side – before the lining is attached.
The back of the coat
The back of this coat is made of three pieces – one large center piece flanked by two triangular pieces. I love the seams on this coat!
And here’s another view of the back, which gives you an idea of how roomy the coat is.
The one drawback
I really love this coat but the one drawback is that it looks best with skinny pants or leggings. I had to wear these leggings because I don’t have any skinny jeans or narrow pants. I guess I need to make some now! Otherwise I need to come up with other outfits to wear with leggings.
In these photos I’m wearing the Draped Mini Dress, which I made from the Japanese sewing book She Wears the Pants (blogged here). I usually wear it as a tunic with pants but I decided to pair it with leggings because I didn’t have anything else to wear with the coat.
This post got really long so I’ll be writing a follow-up post about the lining. Stay tuned! Meanwhile, here’s one last image of the coat for you to enjoy. Also, I’d love to know if you’ve made a coat and what that experience was like for you.
Hi, it’s been a while since my last post. I’ve been sewing but I’ve had little time to blog. I even had a paying sewing gig at a startup last week but I can’t say much about it because I signed an NDA. Anyway I attached my iPhone to a tripod mount and took these photos of my mockup of the Papercut Patterns Sapporo Coat.
It was late afternoon so the sun was not at its brightest and by that time, it’s shining through a tree – giving this natural dappled light effect. It’s not a special filter or Photoshop effect.;)
I made this mockup using a bed sheet I got at a thrift store for a few dollars. I wanted to see how it would fit before I made one in a luscious wool coating from Britex Fabrics. The Sapporo Coat, part of Papercut Patterns Sakura collection, comes in three sizes – XXS/XS, S/M and L/XL. I made the largest size. I have broad shoulders and long arms. I didn’t make any pattern adjustments and it fit quite well. Note: The sleeves may be too long for some people.
You can get the pattern here on Papercut Patterns website or you may be able to get a copy in your country. (You can go to this link to see if a store near you carries this New Zealand-based indie line of patterns.)
As you can see the Sapporo Coat is roomy with wide sleeves and a slight cocoon shape. It tapers – getting slightly more narrow at the hem. The cocoon shape did give me pause but I decided to try it and see if I’d like it – and I do like it.
There aren’t too many pattern pieces for this design – top and bottom front, back neck facing, three pieces for the back and the sleeve cuff, which is made by cutting four of the same pattern piece. There’s also the lining pieces. The pattern also calls for interfacing for the front edge, back neck and bottom hem.
The only tricky part of constructing this coat was the corner of the bottom hem and the lining. In this photo, I’ve attached the lining to the front edge of the coat. You can see the strip of interfacing fused to the front facing, which is not a separate pattern piece. It’s formed by folding the front edge.
The tricky part for me was that I didn’t quite understand how to attach the bottom hem until I realized that I needed to line up the side seams.
Then all I needed to do was fold up the bottom hem and sew the coat fabric to the lining fabric right sides together. My lining is just some cheap cotton/poly blend I got for a few dollars.
When you attach the lining to the front and bottom, you stop sewing 1 cm from the end.
Stopping before you get to the edge, lets you sew this diagonal seam.
I was wasn’t precise in my stitching was I was a little short on the bottom hem. But this is just my mockup so I left it as is.
You leave an opening on one side seam of the lining so you can turn the coat inside out.
And then the bottom inside corner looks like this.
Here’s the back view of the Sapporo Coat. You can see the large center piece and two smaller pieces to the left and right. It would be fun to do a version with piping at the seam lines of this coat.
The large cuff attaches to the front top piece and the back shoulder piece.
I really like the pockets on the Sapporo Coat. However, if you use a lightweight fabric or a fabric with drape, the pocket might sag slightly because there is no interfacing there. The top edge of this pocket is formed by a fold in the fabric. You might want to consider putting some interfacing there if you are using a lightweight fabric. The beauty of this pattern is that it works for all fabrics.
I like the diagonal lines formed by the front seams and the pockets of the Sapporo Coat.
This Sapporo Coat is going to be my fancy bath robe – a great idea from Brooke of Custom Style. We follow each other on Instagram and when I posted an early photo of this on my IG feed (@csews), she(@sewbrooke) made that suggestion. Thanks, Brooke!
I’m wearing a vintage hat that has a little veil attached to the brim. My husband doesn’t like this hat. He thinks it’s an odd hat and doesn’t get that it’s a “sitting” hat, a hat meant to perch on your head as opposed to fitting around your entire head. Well, I like it and I’ll continue wearing it!
Stay tuned for my wool coating version of the Papercut Patterns Sapporo Coat!
Hi, it was my birthday earlier this month so in January I told my sisters about some international patterns I liked. And my sisters are like my fairy godmothers – they granted my wishes! I got the StyleArc Juliet Woven Shirt, which I have been eying, along with the Imogen Knit Skirt, a free pattern for January. Plus I got the Papercut Patterns Skipper Tunic, which has three sleeve variations, necklines and lengths.
StyleArc is an Aussie pattern company – as you can see from the mailing envelope in the photo below. I think I first heard about this company from Sew Busy Lizzie, a sewing blogger based in Australia. It may have been her post about the StyleArc Ziggy jacket. Actually, that post made me a bit wary about trying any StyleArc patterns because sizes are not nested and the instructions are minimal. When she made the Ziggy jacket, she bought a PDF and had to tape together more than 40 pages. Each size was a separate PDF.
StyleArc prides itself on creating “real industry based sewing patterns” that are “easy to work with.” I haven’t sewn any StyleArc patterns before but I wanted to try this shirt because I love the tie waist and 3/4 sleeves. The paper pattern comes with a swatch of fabric that is recommended for the pattern – nice detail!
If you buy a StyleArc paper pattern, you need to pick your size. I decided to pick the size that went with my hips, my widest area. Here’s the StyleArc size chart. My current weight puts me at a size 14 waist (33.5 inches, 85 cm) and in between a size 14 (42.5 inches, 108 cm) and 16 (44.5 inches, 113cm) hip. Two years ago I was a size 12 waist and size 14 hip. (sigh) But I’ve gained a bit of weight since then. I chose size 16 for the skirt as well. It may be too big but I’ll find out eventually.
When I got my Juliet shirt pattern, I also discovered that you can also buy StyleArc patterns on Amazon – but not all the styles are there. The Juliet shirt isn’t on the U.S. site. But it’s great to know that I can buy their patterns and get free shipping as an Amazon Prime member!
Papercut Patterns is a New Zealand pattern company that says it has a “strong focus on design and sustainability.” They use “100% recycled or recyclable products where possible.”
Papercut packaging is really lovely. You could hand the pattern in your closet. This photo is a still image of the video story I posted on Instagram when I got the pattern. So the image quality isn’t great.
Here’s the paper the instructions and pattern paper are printed on. The instructions are printed so that you cut them out and put them together into a mini booklet. This image was also part of my IG story.
I’m looking forward to making both of these patterns! Have you sewn any StyleArc or Papercut Patterns designs?
What are you working on? Projects for summer and fall? Now that summer solstice has come and gone, I feel pressure to get going on the summer clothes. One good thing about living in California is that it stays warm through September, even in the Bay Area, where the weather is a lot cooler than Southern California – so I’ll be OK even if I don’t finish my summer sewing projects by the end of August.
I’ve just finished making another Deer and Doe Chardon skirt – this time out of some heavyweight linen fabric. Here’s a sneak peek of the main skirt fabric, which I got at Britex Fabrics and my side pocket:
Hopefully, I’ll be able to take photos of it in the couple of days so you can see the finished version with the red linen contrast band. This is my fourth Chardon skirt. (Here are the links to my first Chardon, my second one with a black contrast band, and my maxi version.)
I already got some black seersucker fabric. It’s a perfect project for the Sundress Sewalong, hosted by Handmade by Heather B! It starts on July 1 and continues to August 31 – plenty of time to finish it! Thanks, Heather!
The other dress is one I thought I would make for the Japan Sew Along (hosted by Tanoshii) but I was only able to complete one garment, the A-line Block Skirt (from Basic Black) by the end of the sewalong. This is the pattern…
… and here’s the pretty purple cotton voile fabric I got for the dress:
Oh, and let’s not forget tops! I cut out my mock-up of the Asymmetical Top from Drape Drape 2, which I’ve been meaning to make ever since I saw a couple of MaciNic’s versions on her blog The Somnolent Dachshund. I cut a straight size L/XL. I’m using a drapey rayon knit so we’ll see how well it fits. My guess is that it will be tight in the hips. The top was a bit of a pain to cut out because it is one huge pattern piece. So I had to lay it out on the floor. It’s waiting to be sewed.
And way back in December I cut out a mock-up of the Renfrew top, Sewaholic’s best-selling and versatile knit top. It got pushed to the bottom of the project queue when I started making my Chardon skirts, Japanese sewing patterns, and my Spring for Cotton dress. I need to sew this up as well.
I also bought my first Blueprints for Sewing pattern – the A-frame skirt, which looks like a great stashbuster. Just think of the color blocking possibilities!
The drawing is unique – rather rustic but don’t be put off by it, the design is rather elegant with two options – an A-line and a pencil skirt. And the pocket detail is quite lovely. You can see more versions of it on Blueprint’s blog.
Another pattern I got earlier this month is the Flutter Blouse by Papercut Patterns. I like the floaty sleeves. You could make it tunic length and wear it as a dress (check out SewBusyLizzy’s version here). I don’t know if I would make it tunic length – like SewBusyLizzy I worry about it looking like a sack. My hips are rather wide so I don’t think that will be flattering on my figure. It will be fine as a blouse though.
I love the packaging on Papercut Patterns!
There are other indie patterns on my to-do list as well – Deer & Doe’s Bruyère Shirt, maybe another By Hand London Anna Dress for the International Anna Party (I’ve made two so far – one with a border print and a color blocked version), and Sewaholic’s Granville Shirt. What’s on your sewing list?