A Review of Sewing Patterns I’ve Traced

Last week, I wrote about tracing patterns (see “Tips on Tracing Sewing Patterns“). In that post I was going to include some of my thoughts on the sewing patterns I’ve traced over the past few months but it got too long. So here’s my brief review, which covers patterns from three books: Alabama Studio Sewing + Design by Natalie Chanin; Shape Shape: Sewing Clothing Patterns to Wear Multiple Ways by Natsuno Hiraiwa; and BurdaStyle Sewing Vintage Modern by Jamie Lau as well as a PDF, the Sassy Librarian Blouse by Christine Hayes from her Craftsy class. Here’s the rundown:

Alabama Studio Sewing + DesignI really liked the clothes in Alabama Studio Sewing + Design so I bought it last fall. (See “Book Review: Alabama Studio Sewing + Design.”) This was my first experience with patterns that you had to trace, not cut out. The patterns were printed on both sides of the paper and some of them overlapped each other. Granted this saves paper and space but I was used to buying traditional patterns printed on tissue paper that you cut out. But I was game – this was a chance for me to use that Swedish tracing paper that had been sitting around for a couple years. (For more on the book seeBook Review: Alabama Studio Sewing + Design.”)

Alabama Studio Sewing + Design - pattern

Patterns from the book Alabama Studio Sewing + Design by Natalie Chanin

The patterns were very easy to trace because each size has very distinct lines and seam allowances are included. So all you needed to do was trace and cut (no darts!). I just traced these patterns freehand. All the garments use jersey fabric and are rather fitted because you’re using fabric that stretches.

I made a hand-sewn tunic, skirt, and bolero jacket from this book as well as an embroidered wrap, which I’ve posted about a few months ago (see “The Embroidered Wrap“). I haven’t written about the outfit yet but here’s a preview.

hand sewn tunic, skirt and bolero all made from Alabama Studio Sewing + Design patterns (photo by Emily Loftis).

Shape Shape by Natsuno HiraiwaAbout a month after I bought Alabama Studio Sewing + Design, I ordered a copy of Shape Shape: Sewing Clothing Patterns to Wear Multiple Ways by Natsuno Hiraiwa, a graphic designer turned fashion designer. This was a bit of an impulse purchase. I liked the photos of the garments, lots of asymmetric cuts and of course, interesting shapes.

The patterns in this book are also printed on both sides but they are not that easy to trace – not only do many pattern lines overlap but the lines are all of the same skinny weight. It’s difficult to be sure you’re following the correct line for a particular piece and there is no differentiation among the pattern lines designated for each size. This means that the line is exactly the same for size small, medium and large. (Note: This pattern doesn’t include seam allowances so you must add them.)

The lines in the Shape Shape patterns are hard to trace - see all that overlapping? And no differentiation between the different sizes!

The lines in the Shape Shape patterns are hard to trace – see all that overlapping of pattern pieces? And no differentiation between the lines for different sizes either!

I made one garment from the book (the Free-Style Curved Stole) but it was a little small (and I didn’t forget to add the seam allowance either!). I think I’ll give it to one my sisters who’s about 4 inches shorter. The garments in the book are sized for petite Japanese women, which means that at 5 feet 7 inches I’m a giantess for these clothes. There are only three sizes (S, M, and L) but I must be an XL or larger – something to bear in mind if you make anything from this book. (Of course, if I had read the reviews on Amazon, I would have realized that the sizes run pretty small, large is more like a medium.)

If you want to see what some of the clothes from the book look like, check out the review of Shape Shape by Handmade by Carolyn. She’s made some of the clothes from the book.

BurdaStyle Sewing Vintage Modern book coverFor my next adventure in pattern tracing, I turned to the dresses in BurdaStyle Sewing Vintage Modern. With this book, I got more serious about tracing and finally bought a few French curves. (See my post “Tips on Tracing Sewing Patterns” for more on the tools I use.)

The patterns in this book are very easy to trace — even when many pattern pieces overlap — because some pieces are printed in black ink and others in red, plus the lines for different sizes are very clear. Seam allowances are not included, which makes it easier to adjust and/or modify the patterns. For many of the garments in the book, you need to take one of the base patterns and modify it to create a new pattern.

Let me tell you, after Shape Shape, it was a relief to trace patterns from this book!

If you want to see the dress I made from this book, check out my post “My First Fashion Photo Shoot for a Dress” or see the dress posted on my BurdaStyle page “Tea-Length 1950s Dress – BurdaStyle Sewing Vintage Modern.” It was a finalist in BurdaStyle’s sewing contest earlier this year.

Patterns in BurdaStyle Sewing Vintage Modern are printed in red and black ink.

Patterns in BurdaStyle Sewing Vintage Modern are printed in red and black ink.

Sassy Librarian BlouseLast but not least, is the pattern I traced from a PDF. I few months ago, I bought Christine Haynes Sassy Librarian Blouse on Craftsy, which uses a PDF pattern that you download and print on letter-sized paper. The pattern uses more than 35 pieces of paper, which you then need to tape together, overlapping the edges to match the lines. By the time you’re done taping all the pieces together, the pattern is a bit bulky in some areas.

So I decided not to cut the PDF pattern and instead, trace my size on to pattern tracing paper. I’m used to those tissue-weight patterns. Seam allowances are included in this pattern. None of the pattern pieces overlap (yay!) and the sizes are clearly delineated.

Taped together PDF pattern for the Sassy Librarian Blouse by Christine Haynes

Taped together PDF pattern for the Sassy Librarian Blouse by Christine Haynes

I’m still working on this top. I traced the pattern pieces and cut the fabric and my woven interfacing. When I finish it, I’ll be sure to post about it! What have been your experiences tracing patterns?

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6 Responses to “A Review of Sewing Patterns I’ve Traced”

  1. October 30, 2015 at 4:34 am #

    Do you have any video of that? I’d care to find out more details.

    • November 6, 2015 at 2:29 pm #

      No, I don’t have any video, but that’s something to consider doing. Thanks for asking!

  2. Torontosewing
    December 29, 2013 at 4:13 pm #

    I tape the alabama chanin pattern “master” to a glass window, and the paper I’m tracing with over top – the light works like an architectural light table, and I can trace easily, while standing up – You do need a big window though!

    • January 3, 2014 at 5:15 pm #

      Nice idea to tape it to the window. It’s like a natural light box! Thanks for visiting!

  3. Amy
    August 24, 2013 at 2:30 am #

    What I did is take the patterns from the book to Staples (or anywhere that has a large format printer- sometimes called a plotter) and they scanned and printed copies for me. Then I cut out the copies leaving my originals alone. The copies range in price depending on the size, but they were from 2.50 to 6.00 I think.

    • August 24, 2013 at 8:02 pm #

      That’s an excellent idea. I’ve only taken a stencil to be enlarged on a large piece of paper. I think it cost about $10. I’ll definitely keep this in mind as an option for small pattern pieces. I don’t know if it would be cost-efficient to copy large pieces.

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