I’ve never entered any sewing contests before but I hope to enter my first one this year – the BurdaStyle Vintage Modern Sewing Contest. It’ll help me keep to my sewing resolution – to make, not buy clothes this year.
I decided that if I’m going to make something for a contest, it needed to meet the following criteria: 1. I would be making something I would wear; 2. the garment would use fabric from my stash; and 3. I would gain more sewing skills.
To help me decide, I flipped through the book BurdaStyle Sewing Vintage Modern, looking at the designs and the recommended fabrics. I wanted something that would be relatively easy to make, allow for some creativity, and use my stash. (When the contest was first announced last month, the deadline was in early February so I needed to make sure I’d have enough time to make something. The deadline is now February 15 – yay more time!)
I saw that some dresses used silk charmeuse so I crossed those off my list (only silk I have on hand is velvet or sheer, no charmeuse). But there were a few garments that would use some of my stash: a top (cotton voile), a 1950s dress (cotton sateen), 1960s dress (wool crepe), and a cool pair of bell-bottom pants (cotton denim).
At first I thought I would tackle the pretty top, which has a really nice lace detail. But it does require some pattern making. You use the bodice from a dress pattern in the book and then make several adjustments, following the step-by-step instructions, to make the pattern. (To read more about the book, check out my interview with its author Jamie Lau.)
I did start drafting it but then I decided I didn’t have enough time to complete that pattern, make a muslin to check the fit, etc. I don’t have any experience with pattern drafting – the most I’ve done with a pattern is take a vintage pattern and grade it up a size.
So decided to switch to the Jamie Shift Dress – a 1960s style dress with simple lines. I went to Loehmann’s and tried on a couple sleeveless shift dresses to see if that style would suit my figure. (The store is a block from my office and they have plenty of designer duds.) Most of them looked OK but the necklines on some of them didn’t look so great because of my broad shoulders. But I thought I could make it work.
I traced the pattern for the Jamie Shift Dress a couple weeks ago. Before I cut the muslin, I adjusted the waist a size smaller, which is what I usually need to do with patterns. (Depending on my mood, I view that as: A. my waist is too small for my hips or B. my hips are too big for my waist – at least according to so-called standard sizes.)
I have this very nice wool crepe with a black-and-white plaid pattern on it (see photo above). And I got very excited about making the dress half plaid and half solid black. I also decided that I would line it instead of using a facing. I would just use the pattern from the dress to make the lining.
Though I already have some black wool crepe it seemed like it was of a lesser weight than the plaid so I splurged and went to Britex Fabrics and bought a remnant of solid black imported from Italy (with imported prices too!).
Last weekend I put together a muslin – complete with invisible zipper and lining. However when I tried my muslin on, I was kinda swimming in it and it dawned on me that it’s really a style more suited to a thin person with no hips (uh, so not me). Some of the dresses I tried on at Loehmann’s had darts in them, which I should have remembered. (sigh) this dress only has bust darts, no curves.
Nevertheless, I really like the idea of color blocking so I want to make it work. I’m in the midst of adjusting the pattern to make it curve more to my body instead of being so straight up and down.
I also used some of the black wool crepe (not the expensive Italian remnant from Britex) in my stash to make a second muslin with an adjusted neckline – more of a boatneck showing all of my collarbone. I also wanted to practice sewing the invisible zipper and see what problems I could have with lining it. I’ve only lined vests and a jacket. I tried bemberg lining and no facing to see how that would work.
The problem is that I can’t understitch all the way around the neckline and because wool crepe has such a drape to it, you can tell where the understitching ends. I’ve been contemplating using a facing and lining, using a lining that’s closer in weight to the crepe, or using the facing pattern to cut out some interfacing and attach that to the lining.
On Twitter, @bydaiyami of Sisters Are Making It For Themselves told me “Facing+lining probably the official way. Lining has to drape similarly, but no need for same weight, IMO.” @Tantisis of Tanit-Isis Sews agreed and added “Although I far prefer sewing a heavier lining. Facing will keep the lining from showing at the arms, too.”
@bydaiyami also suggested that I check out a Threads article on quick lining, which you can find here. After reading that article I think I’ll go with facing and lining – just sew the facing on the lining.
Now I need to draft a pattern that curves more and has back and front darts.
I made these sketches on a napkin at dinner last night – trying to keep the ’60s flavor but make it curve more. If it doesn’t work out, my backup plan is to make the Elizabeth Gathered-Waist Dress, which is more suited to my body.
Have you ever entered any sewing contests? What was that experience like? Did you like it? Love it Hate it?
UPDATE 2/18/2013 — I decided I didn’t have enough time to make modifications to the Jamie Shift Dress in order to finish a garment by my deadline of February 9. I gave myself that deadline because I found a photographer willing to photograph me in exchange for a garment I would make for her. I did make the Elizabeth Gathered-Waist Dress, which worked out really well. I made a few modification, which you can read about in my contest entry here.